![]() Cool, confident, and achingly unfiltered, Call Me Hank is a dazzling coming-of-age record full of raw passion and real pain, cathartic country and hypnotic hyperpop. S ounds, styles, and worlds collide in the first thirty seconds of Hank’s mere existence, and it’s here that we come to understand Hank as someone who’s lived many lives, and is here to share them all. Or perhaps it’s a scene plucked from a memory of their time on the road – first as a Django Reinhardt-inspired teenaged swing guitarist, and later on as a touring multi-instrumentalist for artists like Samia, Gus Dapperton, Overcoats, Del Water Gap, and Hippo Campus. It’s not a scene you see often in Brooklyn or Manhattan, but it’s one that the artist might have grown up with back in their hometown of Garrison, just sixty miles north of the city, on the southern edge of the Hudson Valley. “ All the old men are gonna buy me beers, and tell me all the things that they did over the years.“ “ I just wanna play in the pub singing Neil Young for the Fisherman’s Club,” they declare in the aptly titled “Call Me Hank,” a warm, bright voice ringing out over jangling acoustic guitars, electronic drum slaps, and woozy, subdued synths. ![]() ![]() The project of singer, songwriter, and multi-instrumentalist Sara L’Abriola, Hank is a moniker and a persona all in one – part-real identity and part-alter ego, but all-in where it counts the most: Being unapologetic in song. ![]() Hank’s debut EP is more than an introduction: It’s the birth of someone new. Brooklyn-based singer/songwriter and multi-instrumentalist Hank dives into their cool, confident, and achingly unfiltered debut EP ‘Call Me Hank,’ a dazzling coming-of-age introduction (produced by Jake Luppen) full of raw passion and pain, cathartic country and hypnotic hyperpop. ![]()
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